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Wid's Year Book

Wid's Year Book PDF Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages :

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Wid's Year Book

Wid's Year Book PDF Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages :

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Book Description


Women Filmmakers in Early Hollywood

Women Filmmakers in Early Hollywood PDF Author: Karen Ward Mahar
Publisher: JHU Press
ISBN: 0801890845
Category : History
Languages : en
Pages : 332

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Book Description
Women Filmmakers in Early Hollywood explores when, how, and why women were accepted as filmmakers in the 1910s and why, by the 1920s, those opportunities had disappeared. In looking at the early film industry as an industry—a place of work—Mahar not only unravels the mystery of the disappearing female filmmaker but untangles the complicated relationship among gender, work culture, and business within modern industrial organizations. In the early 1910s, the film industry followed a theatrical model, fostering an egalitarian work culture in which everyone—male and female—helped behind the scenes in a variety of jobs. In this culture women thrived in powerful, creative roles, especially as writers, directors, and producers. By the end of that decade, however, mushrooming star salaries and skyrocketing movie budgets prompted the creation of the studio system. As the movie industry remade itself in the image of a modern American business, the masculinization of filmmaking took root. Mahar's study integrates feminist methodologies of examining the gendering of work with thorough historical scholarship of American industry and business culture. Tracing the transformation of the film industry into a legitimate "big business" of the 1920s, and explaining the fate of the female filmmaker during the silent era, Mahar demonstrates how industrial growth and change can unexpectedly open—and close—opportunities for women.

The Foreign Office List and Diplomatic and Consular Year Book for ...

The Foreign Office List and Diplomatic and Consular Year Book for ... PDF Author: Great Britain. Foreign Office
Publisher:
ISBN:
Category : Diplomatic and consular service, British
Languages : en
Pages :

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Official Year Book of the Commonwealth of Australia No. 42 - 1956

Official Year Book of the Commonwealth of Australia No. 42 - 1956 PDF Author:
Publisher: Aust. Bureau of Statistics
ISBN:
Category :
Languages : en
Pages : 1287

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The Day the Laughter Stopped

The Day the Laughter Stopped PDF Author: David Yallop
Publisher: Hachette UK
ISBN: 1472116593
Category : True Crime
Languages : en
Pages : 320

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Book Description
The true story behind the 'Fatty Arbuckle' Scandal David Yallop is no stranger to controversy. The impact of his investigations in such bestsellers as In God's Name, Beyond Reasonable Doubt and To Encourage the Others has reverberated around the world. In The Day the Laughter Stopped, he uncovers the incredible true story behind the Roscoe 'Fatty' Arbuckle scandal of 1921, when the fat film comedian stood accused of the rape and murder of a pretty screen actress. Arbuckle's is the story of a man born in extreme poverty who was destined to rise to the heights of a multi-million dollar career, only to have it snatched from him by a wave of hysteria and bigotry that swept the globe. It is the story of Hollywood and what really happened in the corridors of power; the political corruption of San Francisco; the immorality of a president. How Charlie Chaplin's career was saved. How Buster Keaton's was begun. Both by Arbuckle. It is a life story that ranges from comic heights to tragic depths. The Day the Laughter Stopped confirms David Yallop's reputation as the world's greatest investigative author, combining exhaustive research with compulsive narrative.

AB Bookman's Yearbook

AB Bookman's Yearbook PDF Author:
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages :

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Korea’s Occupied Cinemas, 1893-1948

Korea’s Occupied Cinemas, 1893-1948 PDF Author: Brian Yecies
Publisher: Routledge
ISBN: 113667473X
Category : Social Science
Languages : en
Pages : 236

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Book Description
Korea’s Occupied Cinemas, 1893-1948 compares and contrasts the development of cinema in Korea during the Japanese occupation (1910-1945) and US Army Military (1945-1948) periods within the larger context of cinemas in occupied territories. It differs from previous studies by drawing links between the arrival in Korea of modern technology and ideas, and the cultural, political and social environment, as it follows the development of exhibition, film policy, and filmmaking from 1893 to 1948. During this time, Korean filmmakers seized every opportunity to learn production techniques and practice their skills, contributing to the growth of a national cinema despite the conditions produced by their occupation by colonial and military powers. At the same time, Korea served as an important territory for the global expansion of the American and Japanese film industries, and, after the late 1930s, Koreans functioned as key figures in the co-production of propaganda films that were designed to glorify loyalty to the Japanese Empire. For these reasons, and as a result of the tensions created by divided loyalties, the history of cinema in Korea is a far more dynamic story than simply that of a national cinema struggling to develop its own narrative content and aesthetics under colonial conditions.

The Papers of Will Rogers: From the Broadway stage to the national stage, September 1915-July 1928

The Papers of Will Rogers: From the Broadway stage to the national stage, September 1915-July 1928 PDF Author: Will Rogers
Publisher: University of Oklahoma Press
ISBN: 9780806137049
Category : Biography & Autobiography
Languages : en
Pages : 660

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Book Description
In the early years of his performing career, Will Rogers was a vaudeville performer of limited prominence. Around the age of thirty-five, however, this Oklahoma cowboy philosopher shed his role as local stage entertainer and moved toward fame as a Broadway star and nationally beloved humorist. This documentary history, volume four in the definitive five-volume Papers of Will Rogers, reveals Rogers’s personal and professional transformation during what may have been the most productive period of his diverse career. Between 1915 and 1928—the years covered by this volume—Rogers developed his unique monologues of topical humor, sampled the relatively new medium of radio, and pursued a career in silent films. He also tried his voice in sound recordings, witnessed his work as a writer reach millions of readers of daily newspapers, became one of the most sought-after speakers on the dinner circuit, and embarked on a three-year tour of the nation’s lecture halls. In addition to Rogers’s personal correspondence with family members and friends, editors Steven K. Gragert and M. Jane Johansson present more than one hundred letters and telegrams to and from people Rogers touched both inside and outside public life, including prominent figures in politics, show business, literature, industry, government, publishing, and the arts. Much of this material, gleaned from private collections, interviews, manuscripts, and sound recordings, has never before been published.

Working-Class Hollywood

Working-Class Hollywood PDF Author: Steven J. Ross
Publisher: Princeton University Press
ISBN: 0691214646
Category : Performing Arts
Languages : en
Pages : 392

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Book Description
This path-breaking book reveals how Hollywood became "Hollywood" and what that meant for the politics of America and American film. Working-Class Hollywood tells the story of filmmaking in the first three decades of the twentieth century, a time when going to the movies could transform lives and when the cinema was a battleground for control of American consciousness. Steven Ross documents the rise of a working-class film movement that challenged the dominant political ideas of the day. Between 1907 and 1930, worker filmmakers repeatedly clashed with censors, movie industry leaders, and federal agencies over the kinds of images and subjects audiences would be allowed to see. The outcome of these battles was critical to our own times, for the victors got to shape the meaning of class in twentieth- century America. Surveying several hundred movies made by or about working men and women, Ross shows how filmmakers were far more concerned with class conflict during the silent era than at any subsequent time. Directors like Charlie Chaplin, D. W. Griffith, and William de Mille made movies that defended working people and chastised their enemies. Worker filmmakers went a step further and produced movies from A Martyr to His Cause (1911) to The Gastonia Textile Strike (1929) that depicted a unified working class using strikes, unions, and socialism to transform a nation. J. Edgar Hoover considered these class-conscious productions so dangerous that he assigned secret agents to spy on worker filmmakers. Liberal and radical films declined in the 1920s as an emerging Hollywood studio system, pressured by censors and Wall Street investors, pushed American film in increasingly conservative directions. Appealing to people's dreams of luxury and upward mobility, studios produced lavish fantasy films that shifted popular attention away from the problems of the workplace and toward the pleasures of the new consumer society. While worker filmmakers were trying to heighten class consciousness, Hollywood producers were suggesting that class no longer mattered. Working-Class Hollywood shows how silent films helped shape the modern belief that we are a classless nation.

The Classical Hollywood Reader

The Classical Hollywood Reader PDF Author: Steve Neale
Publisher: Routledge
ISBN: 113572007X
Category : Performing Arts
Languages : en
Pages : 496

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Book Description
The Classical Hollywood Reader brings together essential readings to provide a history of Hollywood from the 1910s to the mid 1960s. Following on from a Prologue that discusses the aesthetic characteristics of Classical Hollywood films, Part 1 covers the period between the 1910s and the mid-to-late 1920s. It deals with the advent of feature-length films in the US and the growing national and international dominance of the companies responsible for their production, distribution and exhibition. In doing so, it also deals with film making practices, aspects of style, the changing roles played by women in an increasingly business-oriented environment, and the different audiences in the US for which Hollywood sought to cater. Part 2 covers the period between the coming of sound in the mid 1920s and the beginnings of the demise of the `studio system` in late 1940s. In doing so it deals with the impact of sound on films and film production in the US and Europe, the subsequent impact of the Depression and World War II on the industry and its audiences, the growth of unions, and the roles played by production managers and film stars at the height of the studio era. Part 3 deals with aspects of style, censorship, technology, and film production. It includes articles on the Production Code, music and sound, cinematography, and the often neglected topic of animation. Part 4 covers the period between 1946 and 1966. It deals with the demise of the studio system and the advent of independent production. In an era of demographic and social change, it looks at the growth of drive-in theatres, the impact of television, the advent of new technologies, the increasing importance of international markets, the Hollywood blacklist, the rise in art house imports and in overseas production, and the eventual demise of the Production Code. Designed especially for courses on Hollywood Cinema, the Reader includes a number of newly researched and written chapters and a series of introductions to each of its parts. It concludes with an epilogue, a list of resources for further research, and an extensive bibliography.